26 Variations on "La Follia di Spagna" (1815): Variation 16 - Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan Information

Acousticness: 90%
Danceability: 34%
Energy: 24%
Instrumentalness: 86%
Liveness: 58%
Loudness: 68%
Speechiness: 3%
Valence: 92%
Popularity: 2%
Loudness: -19.05 dB

Summary

On January 1, 1996, the song "26 Variations on "La Follia di Spagna" (1815): Variation 16" was released by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan. With 26 Variations on "La Follia di Spagna" (1815): Variation 16 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Salieri: The 2 Piano Concertos etc.". In this album, this song's track order is #25. Based on our statistics, 26 Variations on "La Follia di Spagna" (1815): Variation 16's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

26 Variations on "La Follia di Spagna" (1815): Variation 16 BPM

With 26 Variations on "La Follia di Spagna" (1815): Variation 16 by Antonio Salieri, Pietro Spada, Philharmonia Orchestra, David Nolan having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

26 Variations on "La Follia di Spagna" (1815): Variation 16 Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Die Hussiten vor Naumberg: Entr'acte II	Antonio Salieri, Mannheim Mozart Orchestra, Thomas Fey	G Minor	1	6A	172 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
Piano Concerto in A Minor, Op. 54: III. Allegro vivace	Robert Schumann, Evgeny Kissin, Carlo Maria Giulini, Wiener Philharmoniker	C Major	3	8B	78 BPM
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai	Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans	A♭ Minor	3	1A	130 BPM
Ruslan and Ludmila: Overture	Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov	F Major	3	7B	81 BPM
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten)	Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields	F Major	1	7B	124 BPM
Concerto Grosso in F Major, Op. 1, No. 1: IV. Largo	Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek	B♭ Major	0	6B	0 BPM
Concerto for 2 Horns in E-Flat Major, Hob. VIId:2: III. Rondo	Franz Joseph Haydn, Prague Chamber Orchestra, Zdeněk Košler, Bedřich Tylšar, Zdeněk Tylšar	E♭ Major	1	5B	115 BPM
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	D♭ Major	2	3B	146 BPM
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio	Sergei Prokofiev, Yuri Temirkanov	E Minor	0	9A	99 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6394867897033691

End: 0.6436629295349121