"I fa l'aire visible (And it turns the air visible): II. Silenci" by Ramon Humet, Quartet Gerhard was released on October 27, 2023. With I fa l'aire visible (And it turns the air visible): II. Silenci being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 14 in Ad Astra (Debussy - Humet) by Quartet Gerhard. Going off of the ISRC code of this track, we detected that the origin of this track is from France. I fa l'aire visible (And it turns the air visible): II. Silenci is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I fa l'aire visible (And it turns the air visible): II. Silenci by Ramon Humet, Quartet Gerhard is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Богородице дево радуйся | Мужской камерный хор "Logos" | A♭ Major | 3 | 4B | 84 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantus Juvenum Karlsruhe, Carsten Wiebusch, Peter Gortner | B Minor | 2 | 10A | 115 BPM | ||
Dominus Vobiscum | Jacob Narverud, Tallgrass Chamber Choir | E♭ Minor | 0 | 2A | 88 BPM | ||
The Armed Man (Ensemble Version): X. Agnus Dei | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | C Major | 0 | 8B | 67 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Seven Sounds Unseen: No. 1. — | Robert Moran, Musica Sacra, Richard Westenburg | A♭ Major | 0 | 4B | 134 BPM | ||
O Jerusalem, BN 49 | Hildegard von Bingen, Christopher Page, Gothic Voices, Emma Kirkby | C Major | 0 | 8B | 76 BPM | ||
Missa pro defunctis: IV. Pie Jesu | Charles D'Argentil, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 3 | 8A | 108 BPM | ||
Intemerata Dei mater: III. Aspiciat facito | Johannes Ockeghem, Owain Park, The Gesualdo Six | F Major | 2 | 7B | 124 BPM | ||
Requiem Novum: VII. Eternal Rest | Mårten Jansson, Anna Dennis, Barnaby Smith, Philharmonia Orchestra | F Major | 3 | 7B | 69 BPM |
Section: 0.9398062229156494
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