"Messiah, HWV 56 (1992 - Remaster), Part 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano)" by George Frideric Handel, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, David Willcocks, Sir David Willcocks was released on October 1, 1992. With this song being about 5 minutes long, at 4:52, "Messiah, HWV 56 (1992 - Remaster), Part 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano)" by George Frideric Handel, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, David Willcocks, Sir David Willcocks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, Choir of King's College, Cambridge, David Willcocks, Sir David Willcocks, Academy of St. Martin in the Fields's "Handel - Messiah" album is number 19 out of 53. On top of that, United Kingdom appears to be the country where this track was created. Messiah, HWV 56 (1992 - Remaster), Part 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56 (1992 - Remaster), Part 1: He shall feed his flock ... Come unto Him all ye that labour (soprano & alto duet: Larghetto e piano) by George Frideric Handel, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, David Willcocks, Sir David Willcocks to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
5 Lieder, Op. 49: No. 4, Wiegenlied | Johannes Brahms, Elly Ameling, Dalton Baldwin | E♭ Major | 0 | 5B | 92 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : VI. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 126 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Keyboard Sonatina In F Major, Op. 36, No. 4: II. Andante Con Espressione | Muzio Clementi, Balazs Szokolay | B♭ Major | 1 | 6B | 132 BPM |
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