- BPM
- 145
- Key
- F♯ Minor
- Camelot
- 11A
Polonaise in G Minor, BWV Anh. 119 - Johann Sebastian Bach, Justin Taylor Information
- Acousticness
- 68%
- Danceability
- 34%
- Energy
- 44%
- Instrumentalness
- 87%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 54%
- Popularity
- 19%
- Loudness
- -16.823 dB
Summary
Johann Sebastian Bach, Justin Taylor made "Polonaise in G Minor, BWV Anh. 119" available on October 12, 2021. With Polonaise in G Minor, BWV Anh. 119 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 62 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. Based on our statistics, Polonaise in G Minor, BWV Anh. 119's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Polonaise in G Minor, BWV Anh. 119 BPM
The tempo marking of Polonaise in G Minor, BWV Anh. 119 by Johann Sebastian Bach, Justin Taylor is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
Polonaise in G Minor, BWV Anh. 119 Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo. Allegro | Joseph Haydn, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 0 | 6B | 183 BPM | |
 | Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | |
 | Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | |
 | Kleine Präludien: No.3 in D Minor, BWV 926 | Inge Rosar | D Minor | 1 | 7A | 83 BPM | |
 | Nocturne No.5 In F Sharp, Op.15 No.2 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 125 BPM | |
| Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | |
 | Bach, JS: Piano Concerto No. 1 in D Minor, BWV 1052: III. Allegro | Johann Sebastian Bach, Andrei Gavrilov, Academy of St. Martin in the Fields, Sir Neville Marriner, John Constable | D Minor | 3 | 7A | 114 BPM | |
 | Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | |
 | Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | |
 | Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.9097716808319092
End: 0.9133477210998535