"In terra pax, Part IV: Puis je vis un nouveau ciel (And I saw a new heaven and a new earth)" by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus was released on April 1, 1996. Since In terra pax, Part IV: Puis je vis un nouveau ciel (And I saw a new heaven and a new earth) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus's "Martin: In terra pax & Les quatre temperaments" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. In terra pax, Part IV: Puis je vis un nouveau ciel (And I saw a new heaven and a new earth) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In terra pax, Part IV: Puis je vis un nouveau ciel (And I saw a new heaven and a new earth) by Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: VIII. Communio, 2. Requiem aeternam | Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen | A Major | 0 | 11B | 87 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Golgotha: Part I: Gethsemane: Voici l'Agneau divin (Tutti) | Frank Martin, Kay Johannsen, Michel Brodard, Liliane Zürcher, Rolf Romei, Rene Koch, Barbara Locher, Solistensemble der Musikhochschule Luzern, Berliner Symphoniker, Alois Koch | E Major | 1 | 12B | 86 BPM | ||
Les fleurs et les arbres | Camille Saint-Saëns, En Kör | E Major | 1 | 12B | 133 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra | F Major | 0 | 7B | 132 BPM | ||
All-night Vigil, Op. 37, "Vespers": Resurrection hymn (Troparion): This day of salvation has com to the world | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | G Major | 1 | 9B | 87 BPM | ||
Stabat Mater, FP 148: IV. Quae moerebat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | A♭ Major | 1 | 4B | 175 BPM | ||
4 Pieces breves: No. 4. Comme une gigue | Frank Martin, Pablo Garibay | B Major | 1 | 1B | 98 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM |
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