"Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween" by Nikolaus Matthes, Daniel Johannsen, Ensemble Gli Aspetti, Georg Poplutz, Daniel Perez was released on March 7, 2024. The duration of Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Nikolaus Matthes, Daniel Johannsen, Ensemble Gli Aspetti's "Markuspassion" album is number 12 out of 78. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Markuspassion: No. 6c, Rezitativ. Und er sandte seiner Jünger zween by Nikolaus Matthes, Daniel Johannsen, Ensemble Gli Aspetti, Georg Poplutz, Daniel Perez to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5: V. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. II: No. 30. Aria, "Es ist vollbracht" (Seele) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, William Shelton | A♭ Minor | 2 | 1A | 96 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: I. Un poco andante | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Les Indes galantes, RCT 44: Gavotte vive pour les fleurs - Arr. for Organ and Soprano by Edward Higginbottom | Jean-Philippe Rameau, Edward Higginbottom | D Major | 1 | 10B | 68 BPM | ||
Herzlich Thut Mich Verlangen, Weihnachtsoratorium Bwv 248 | Nicol Matt, Martina Rotbauer, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Jens Wollenschläger, Johann Sebastian Bach, Robert Sagasser | A♭ Minor | 2 | 1A | 89 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 32, Dir, dir Jehova, will ich singen, BWV 452 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Concerto Grosso Op. 6 No. 4: I. Adagio - Allegro | Arcangelo Corelli, Verità Baroque, Guglielmo Dandolo Marchesi, Eugenia Ottaviano, Bartolomeo Dandolo Marchesi | D♭ Major | 4 | 3B | 130 BPM | ||
12 Recorder Sonatas, Op. 2, No. 12 in D Major: IV. Largo | Benedetto Marcello, Accademia Hermans, Fabio Ceccarelli, Alessandra Montani, Gabriele Palomba, Fabio Ciofini | B♭ Minor | 2 | 3A | 64 BPM | ||
Concerto No. 2 in D Major for Cello, Strings, and Continuo, L. 10: IV. Fuga | Leonardo Leo, Elinor Frey, Rosa Barocca, Claude Lapalme | E♭ Minor | 1 | 2A | 103 BPM |
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