"Rossini: Il turco in Italia, Act 2: "Credete alle femmine che dicon d'amarvi!" (Selim, Fiorilla)" by Gioachino Rossini, Maria Callas, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano was released on 1955. With Rossini: Il turco in Italia, Act 2: "Credete alle femmine che dicon d'amarvi!" (Selim, Fiorilla) being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #34. Furthermore, we believe that the track originated from United Kingdom. Rossini: Il turco in Italia, Act 2: "Credete alle femmine che dicon d'amarvi!" (Selim, Fiorilla) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini: Il turco in Italia, Act 2: "Credete alle femmine che dicon d'amarvi!" (Selim, Fiorilla) by Gioachino Rossini, Maria Callas, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM | ||
Macbeth / Act 2: Gran Scena: "Studia il passo, o mio figlio!" | Giuseppe Verdi, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E Major | 1 | 12B | 88 BPM | ||
Ciro in Babilonia, Act I, Scene 5: Vorrei punir la perfida (Baldassarre) | Gioacchino Rossini, Orchestra Sinfonica di Sanremo, Carlo Rizzi, Ernesto Palacio | D Major | 3 | 10B | 102 BPM | ||
Macbeth / Act 1: Scena e Sestetto - Finale I: "Di destarlo per tempo il re m'impose" | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Antonio Savastano, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D♭ Major | 2 | 3B | 94 BPM | ||
Capuleti E I Montecchi, Act I: Se Romeo T'uccise Un Figlio | Felice Romani, Latvian National Symphony Orchestra, Elina Garanca, Vincenzo Bellini | G Major | 1 | 9B | 74 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Benedictus qui venit in nomine Domini | Giacomo Puccini, Thomas Hampson, Antonio Pappano, London Symphony Orchestra | B♭ Major | 1 | 6B | 74 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM |
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