"恋のアランフェス“レッド・ヴァイオリン”(ロドリーゴ作曲「アランフェス協奏曲」第2楽章より)" by Joaquín Rodrigo, Ikuko Kawai was released on January 21, 2009. 恋のアランフェス“レッド・ヴァイオリン”(ロドリーゴ作曲「アランフェス協奏曲」第2楽章より) is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. There is only one song in 川井郁子 at カーネギーホール 2008 ~新世界~, so we believe that "恋のアランフェス“レッド・ヴァイオリン”(ロドリーゴ作曲「アランフェス協奏曲」第2楽章より)" is a single. 恋のアランフェス“レッド・ヴァイオリン”(ロドリーゴ作曲「アランフェス協奏曲」第2楽章より) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 恋のアランフェス“レッド・ヴァイオリン”(ロドリーゴ作曲「アランフェス協奏曲」第2楽章より) by Joaquín Rodrigo, Ikuko Kawai is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malagueña | Celedonio Romero, Pepe Romero | C Major | 1 | 8B | 96 BPM | ||
Concierto de estio: Siciliana: Andantino | Joaquín Rodrigo, Mikhail Ovrutsky, Orquesta Sinfónica de Castilla y León, Max Darman Bragado | E Minor | 2 | 9A | 130 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Oboe Concerto in D Minor, S. Z799: II. Adagio | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 71 BPM | ||
Asturias (Leyenda) | Isaac Albéniz, Pablo Sainz Villegas | C Major | 3 | 8B | 104 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: 4. Canario (Allegro ma non troppo) | Joaquín Rodrigo, Pepe Romero, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 112 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM |
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