"Mandrake in the Corner: II Lento II" by Christian Lindberg, Alexandru Moraru, National Radio Orchestra of Romania was released on December 20, 2022. With Mandrake in the Corner: II Lento II being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christian Lindberg, Alexandru Moraru, National Radio Orchestra of Romania's "Mandrake in the Corner" album is number 7 out of 13. On top of that, Sweden appears to be the country where this track was created. Mandrake in the Corner: II Lento II is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mandrake in the Corner: II Lento II by Christian Lindberg, Alexandru Moraru, National Radio Orchestra of Romania to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Academic Festival Overture VI | Johannes Brahms, Christian Lindberg, National Radio Orchestra of Romania | A Major | 10 | 11B | 79 BPM | ||
Dr. Merryheart: V. Variation 4: Merryheart As a Chivalrous Knight Chases Bluebeard (Als ritterlicher Kampe verfolgt Merryheart den Blaubart) | RTÉ National Symphony Orchestra, Havergal Brian | F Major | 2 | 7B | 92 BPM | ||
Pöntinen: Camera: III | Roland Pöntinen, Christian Lindberg | D♭ Major | 4 | 3B | 106 BPM | ||
March from Symphonic Metamorfosis IV | Paul Hindemith, Göteborg Wind Orchestra, Christian Lindberg | B♭ Major | 3 | 6B | 72 BPM | ||
Petite Suite: I. En bateau. Andantino (Arr. For Woodwind Quintet by Gordon Davies) | Claude Debussy, ARUNDOSquintett | A♭ Major | 1 | 4B | 73 BPM | ||
Requerdos De Girona 3. ”Fiesta Hotelera” II | Christian Lindberg, Ian Bousfield, Joseph Alessi, Peter Moore | A♭ Major | 2 | 4B | 72 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Divertimento: III. Mazurka: Mesto | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 106 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Bassoon Sonata in F Minor, TWV 41:f1: II. Allegro | Georg Philipp Telemann, Richard Galler, Ernst Weissensteiner | F Minor | 2 | 4A | 139 BPM |
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