Emanuel Geibel, Robert Schumann, Nicolai Gedda made "Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 9, Ojos garzos ha la minna, "Blaue Augen hat das Mädchen" (Munter)" available on April 5, 2013. The duration of Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 9, Ojos garzos ha la minna, "Blaue Augen hat das Mädchen" (Munter) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 9, Ojos garzos ha la minna, "Blaue Augen hat das Mädchen" (Munter)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #19. In terms of popularity, Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 9, Ojos garzos ha la minna, "Blaue Augen hat das Mädchen" (Munter) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 9, Ojos garzos ha la minna, "Blaue Augen hat das Mädchen" (Munter) by Emanuel Geibel, Robert Schumann, Nicolai Gedda having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Lieder, Op. 56, TrV 220: No. 1, Gefunden | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Minor | 1 | 3A | 163 BPM | ||
Piano Trio, Op. 19: IV. Presto | Charles-Marie Widor, Karoly Botvay, Andras Kiss, Ilona Prunyi | A Major | 1 | 11B | 84 BPM | ||
The Danserye (Transcr. for Piano by Florian Noack): I. Pour Quoy | Tylman Susato, Florian Noack | D Minor | 1 | 7A | 133 BPM | ||
Prelude and Fugue No. 5 in D Major from 24 Preludes and Fugues for Piano, Op. 87: I. Prelude | Dmitri Shostakovich, Luca Quintavalle | A♭ Major | 0 | 4B | 82 BPM | ||
Le Grand Tango - Musical Moments | Astor Piazzolla, Jaemin Han, Jonathan Ware | A Minor | 1 | 8A | 106 BPM | ||
Kalniņš: Sūpļa dzeesma | Alfrēds Kalniņš, Elina Garanca, Malcolm Martineau | A♭ Major | 0 | 4B | 81 BPM | ||
Lieder ohne Worte, Book 3, Op. 38: No. 6, Andante con moto in A-Flat Major | Felix Mendelssohn, Denis Kozhukhin | D Major | 1 | 10B | 128 BPM | ||
Concerto for 2 Pianos and Orchestra in D Minor, FP. 61: I. Allegro ma non troppo | Francis Poulenc, Mari Kodama, Momo Kodama, Orchestre de la Suisse Romande, Kent Nagano | D Major | 2 | 10B | 114 BPM | ||
Septet in E-Flat Major, Op. 65: I. Préambule. Allegro moderato – Più allegro | Camille Saint-Saëns, Nash Ensemble | F Minor | 0 | 4A | 96 BPM | ||
Memories of Childhood, Op. 11: II. In the Steppes | Julius Isserlis, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM |
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