- BPM
- 98
- Key
- F Minor
- Camelot
- 4A
Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens - Julia Fischer Information
- Acousticness
- 60%
- Danceability
- 78%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 26%
- Loudness
- 63%
- Speechiness
- 96%
- Valence
- 39%
- Popularity
- 0%
- Loudness
- -22.378 dB
Summary
Julia Fischer's 'Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens' came out on September 2, 2019. The duration of Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens is about 3 minutes long, at 3:07. Based on our data, "Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 138 in Der Geschmack unseres Lebens by Julia Fischer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens BPM
The tempo marking of Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens by Julia Fischer is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Kapitel 10.2 & Kapitel 11 & Kapitel 12.1 - Der Geschmack unseres Lebens Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | |
 | Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | |
 | Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | |
 | Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Piano Concerto in C Major (1796): II. Adagio e cantabile, con grande espressione | Muzio Clementi, Bruno Canino, Orchestra Sinfonica di Roma, Francesco La Vecchia | F Major | 1 | 7B | 107 BPM | |
 | Cello Concerto No. 1 In C Major, G. 477: I. Allegro | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | C Major | 0 | 8B | 124 BPM | |
 | Violin Sonata No. 3 in C Major, BWV 1005: III. Largo | Johann Sebastian Bach, Julia Fischer | D♭ Minor | 1 | 12A | 130 BPM | |
 | Nocturne in B-Flat Major | Maria Szymanowska, Anna Ciborowska | B♭ Major | 1 | 6B | 78 BPM |
- ISRC
- DEVP81193418
- Label
- L-M Records/RCA Records
Section: 1.1542911529541016
End: 1.1583523750305176