"Traditional: He Never Said a Mumberlin' Word" by Traditional, Barbara Hendricks was released on November 1, 1998. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Spirituals Volume 2". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Traditional: He Never Said a Mumberlin' Word is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Traditional: He Never Said a Mumberlin' Word by Traditional, Barbara Hendricks having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kyrie - Rex aeterno | Traditional, Konrad Ruhland, Choralschola of the Niederaltaicher Scholaren | D Major | 0 | 10B | 173 BPM | ||
The English Dance Master, Part II: Newcastle | John Playford, Baltimore Consort | G Major | 2 | 9B | 108 BPM | ||
Rorando coeli | Jan Campanus Vodnansky, Pro Musica, Szabó Dénes | A Major | 0 | 11B | 83 BPM | ||
Benedicamus Patrem | Monks Of The Abbey Of Notre Dame | D Major | 0 | 10B | 85 BPM | ||
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM | ||
Veni Sancte Spiritus | The Songs of Taize Session Singers | B Minor | 1 | 10A | 93 BPM | ||
Missa rigensis (2002): Kyrie eleison | Ugis Praulins, Kammerchor I Vocalisti, Hans-Joachim Lustig | C Minor | 2 | 5A | 137 BPM | ||
Bogoroditse Devo, raduysia | Sergey Khvoshchinsky, The Rose Ensemble, Jordan Sramek | E♭ Major | 2 | 5B | 87 BPM | ||
Miserere: Songs of Mercy and Redemption: 4. Sacramentum | Karl Jenkins, Stephen Layton, Abel Selaocoe, Britten Sinfonia, Catrin Finch | E♭ Major | 1 | 5B | 89 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM |
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