"Oedipus Rex, Act II: "Le temoin du meurtre sort de l'ombre…"" by Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, John Eliot Gardiner, The Monteverdi Choir was released on April 7, 2014. Since Oedipus Rex, Act II: "Le temoin du meurtre sort de l'ombre…" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Stravinsky: Oedipus Rex & Apollon musagète". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Oedipus Rex, Act II: "Le temoin du meurtre sort de l'ombre…" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Oedipus Rex, Act II: "Le temoin du meurtre sort de l'ombre…" by Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, John Eliot Gardiner, The Monteverdi Choir having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
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