Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe made "Armide: Prologue: Menuet. Gavotte en rondeau" available on 1993. With Armide: Prologue: Menuet. Gavotte en rondeau being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 4 out of 39. Armide: Prologue: Menuet. Gavotte en rondeau is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Armide: Prologue: Menuet. Gavotte en rondeau by Jean-Baptiste Lully, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
Couperin: Les Baricades mistérieuses | François Couperin, Aurora Orchestra, Nicholas Collon | B♭ Major | 0 | 6B | 65 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : III. Allegro | Cologne Chamber Orchestra, Lucas Barr, Renee Ohldin, Christine Pichlmeier, Corinne Chapelle, Antonio Vivaldi | B Minor | 3 | 10A | 123 BPM | ||
Miserere: Amplius lava me | Jean-Baptiste Lully, Amel Brahim-Djelloul, Howard Crook, Damien Guillon, Hervé Lamy, Arnaud Marzorati, Les Pages, Les Chantres, Musica Florea, Olivier Schneebeli | F Major | 1 | 7B | 127 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Miserere: Tibi soli piccavi | Jean-Baptiste Lully, Amel Brahim-Djelloul, Howard Crook, Damien Guillon, Hervé Lamy, Arnaud Marzorati, Les Pages, Les Chantres, Musica Florea, Olivier Schneebeli | A Minor | 3 | 8A | 77 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM |
Section: 0.5677247047424316
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