Franz Buhler, Sarah Wegener, Kay Johannsen's 'Jesu, dir leb ich (Arr. Johannsen)' came out on March 1, 2012. With Jesu, dir leb ich (Arr. Johannsen) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 89 in Aus meines Herzens Grunde (Großdruck) by Ruth Sandhoff, Sarah Wegener, Marion Eckstein, Andreas Weller, Klaus Mertens, Thilo Dahlmann, Kay Johannsen, Götz Payer. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Jesu, dir leb ich (Arr. Johannsen) is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Jesu, dir leb ich (Arr. Johannsen) by Franz Buhler, Sarah Wegener, Kay Johannsen is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Wer nur den lieben Gott lasst walten: Sing, bet und geh auf Gottes Wegen (Chorus) | Felix Mendelssohn, Gesine Adler, GewandhausChor, Leipzig Mendelssohn Orchestra, Gregor Meyer | A Minor | 2 | 8A | 123 BPM | ||
Laudate Pueri: I. Laudate Pueri | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Abendständchen, Op. 42/1 | Johannes Brahms, Thomas Hengelbrock | G Major | 0 | 9B | 79 BPM | ||
Ad Pacem (Towards Peace) | Karl Jenkins, World Orchestra For Peace, World Choir for Peace, Nicol Matt, Alexander Duggan, Jody Jenkins | D Major | 0 | 10B | 83 BPM | ||
Dies sanctificatus illuxit nobis | Joseph Leopold Eybler, The Cathedral Singers, Richard Proulx | G Major | 1 | 9B | 131 BPM | ||
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM | ||
Johannes-Passion, BWV 245.1: 16. Recitativo: Da führeten sie Jesum | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM |
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