"Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus)" by Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Gábor Bretz, BBC Symphony Chorus was released on September 1, 2013. The duration of Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Szymanowski: Stabat Mater & Harnasie". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, Op. 53: V. Panno slodka, racz, mozolem (Baritone, Chorus) by Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Gábor Bretz, BBC Symphony Chorus having a BPM of 145 with a half-time of 72 BPM and a double-time of 290 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Heavenly Romanticism | Béla Bartók, Klára Würtz, Janacek Philharmonic Orchestra, Theodore Kuchar | F Major | 0 | 7B | 96 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Ivo Pogorelich | D♭ Major | 0 | 3B | 67 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
24 Préludes, Op. 28: 2. In A Minor | Frédéric Chopin, Maurizio Pollini | D Minor | 2 | 7A | 124 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Rigaudons I, II & Double | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 3 | 12B | 106 BPM | ||
Schumann, Clara: 3 Romances, Op. 11: No. 1 in E-Flat Minor | Clara Schumann, Sophie Pacini | E♭ Minor | 0 | 2A | 60 BPM |
Section: 0.7743215560913086
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