"Mozart: Litaniae Lauretanae, K. 195/186d: V. Agnus Dei (Soprano)" by Wolfgang Amadeus Mozart, Barbara Hendricks, Andrew Fowler-Watts, Edward Caswell, Hilary Brooks, Sir Neville Marriner, Academy of St. Martin in the Fields was released on 1987. Mozart: Litaniae Lauretanae, K. 195/186d: V. Agnus Dei (Soprano) is about six minutes long, preciously at 6:24, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Enrique Bátiz, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart Sacred Arias" album is number 5 out of 9. On top of that, France appears to be the country where this track was created. In terms of popularity, Mozart: Litaniae Lauretanae, K. 195/186d: V. Agnus Dei (Soprano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Litaniae Lauretanae, K. 195/186d: V. Agnus Dei (Soprano) by Wolfgang Amadeus Mozart, Barbara Hendricks, Andrew Fowler-Watts, Edward Caswell, Hilary Brooks, Sir Neville Marriner, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Davide penitente, K. 469: Si pur sempre benigno, oh Dio (Chorus) | Wolfgang Amadeus Mozart, Trine Wilsberg Lund, Kristina Wahlin, Lothar Odinius, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Minor | 0 | 7A | 144 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach | Franz Schubert, Mischa Maisky, Daria Hovora | G Major | 0 | 9B | 96 BPM | ||
French Suite No.2 in C minor, BWV 813: 5a. Menuet I | Johann Sebastian Bach, András Schiff | E♭ Major | 1 | 5B | 70 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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