Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021)
Viktor Ullmann, Juliana Zara, Christel Loetzsch, Johannes Chum, Munich Radio Orchestra, Patrick Hahn
Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)
1:50 April 15, 2022
BPM
77
Key
F Major
Camelot
7B

Embed

Share Link

Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) - Viktor Ullmann, Juliana Zara, Christel Loetzsch, Johannes Chum, Munich Radio Orchestra, Patrick Hahn Information

Acousticness
98%
Danceability
13%
Energy
7%
Instrumentalness
0%
Liveness
10%
Loudness
63%
Speechiness
4%
Valence
4%
Popularity
Loudness
-22.277 dB

Summary

"Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021)" by Viktor Ullmann, Juliana Zara, Christel Loetzsch, Johannes Chum, Munich Radio Orchestra, Patrick Hahn was released on April 15, 2022. With Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Ullmann: Der Kaiser von Atlantis, Op. 49b "Die Tod-Verweigerung" (Live at Prinzregenten Theater, Munich 10/10/2021)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Germany. Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) BPM

With Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) by Viktor Ullmann, Juliana Zara, Christel Loetzsch, Johannes Chum, Munich Radio Orchestra, Patrick Hahn having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Der Kaiser von Atlantis, Op. 49b, Scene 3 "Die Tod-Verweigerung": Komm fort von hier (Live at Prinzregenten Theater, Munich 10/10/2021) Key

The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace by Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry LissPiano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. VivaceSergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry LissB Minor210A124 BPM
The Wooden Prince, Sz. 60 (Final Version): III. First Dance - Dance of the Princess in the Forest, Pt. 1 by Béla Bartók, BBC Scottish Symphony Orchestra, Thomas DausgaardThe Wooden Prince, Sz. 60 (Final Version): III. First Dance - Dance of the Princess in the Forest, Pt. 1Béla Bartók, BBC Scottish Symphony Orchestra, Thomas DausgaardF Major47B154 BPM
6 Pastoral Dances, Op. 40: No. 2. Waltz by Arnold Rosner, London Philharmonic Orchestra, David Amos6 Pastoral Dances, Op. 40: No. 2. WaltzArnold Rosner, London Philharmonic Orchestra, David AmosA Minor08A178 BPM
Die Weise von Liebe und Tod des Cornets Christoph Rilke, Pt. 2: Als Mahl beganns by Viktor Ullmann, Erika Pluhar, Tschechische Philharmonie, Gerd AlbrechtDie Weise von Liebe und Tod des Cornets Christoph Rilke, Pt. 2: Als Mahl begannsViktor Ullmann, Erika Pluhar, Tschechische Philharmonie, Gerd AlbrechtF Minor04A86 BPM
Proving the Existence of Folkloric Creatures by Milo PaulusProving the Existence of Folkloric CreaturesMilo PaulusF♯ Major32B65 BPM
Wanderlied by Fanny Mendelssohn, Aitor Llimerá, Mario MoraWanderliedFanny Mendelssohn, Aitor Llimerá, Mario MoraA Major011B71 BPM
Tromsö 2018 I by Christian Lindberg, MIN EnsembleTromsö 2018 IChristian Lindberg, MIN EnsembleC Major08B70 BPM
Concerto for Cello and Orchestra: II. Allegro appassionato by William Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan WigglesworthConcerto for Cello and Orchestra: II. Allegro appassionatoWilliam Walton, Laura van der Heijden, BBC Scottish Symphony Orchestra, Ryan WigglesworthG Minor06A103 BPM
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick GalloisBacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation IIJules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick GalloisF Major17B89 BPM
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling by Richard Strauss, Asmik Grigorian, Markus HinterhäuserFour Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. FrühlingRichard Strauss, Asmik Grigorian, Markus HinterhäuserE♭ Major05B69 BPM
ISRC
DELW72233918
Label
L-M Records/RCA Records

Section: 0.6188299655914307

End: 0.6233627796173096