"Saul, HWV53: 34. Dead March" by Handel, J Vyvyan, H Watts, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Handt, Vienna Symph Orch was released on February 19, 2013. The duration of Saul, HWV53: 34. Dead March is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Saul, HWV53: 34. Dead March's duration is considered a little bit shorter than the average duration of a typical track. The song is number 142 out of 302 in Big Handel Box by Handel, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Saul, HWV53: 34. Dead March is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saul, HWV53: 34. Dead March by Handel, J Vyvyan, H Watts, T Hemsley, L Dutoit, E Thorborg, The Copenhagen Boys Choir, M Wöldike, H Handt, Vienna Symph Orch is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Flutes in C Major, RV 533: III. Allegro | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | G Major | 2 | 9B | 178 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
Te Deum, H. 146: Prelude | Marc-Antoine Charpentier, Raymond Leppard, English Chamber Orchestra | D Major | 5 | 10B | 75 BPM | ||
Handel: Water Music Suite #1 in F, HWV 348 - Ouverture | Handel, Budapest Strings Wind Ensemble | E♭ Major | 0 | 5B | 91 BPM | ||
La Traviata / Act 1: Prelude | Giuseppe Verdi, Bavarian State Orchestra, Carlos Kleiber | B Major | 0 | 1B | 131 BPM | ||
Concerto No. 3 in G Major, BWV 1048: I. Without Tempo Indication | Johann Sebastian Bach, Musica Amphion, Pieter-Jan Belder | F♯ Major | 1 | 2B | 83 BPM |
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