"Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Ombres" by Louis Constantin, Ensemble Correspondances, Sébastien Daucé was released on September 3, 2015. With Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Ombres being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 15 out of 68. In terms of popularity, Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Ombres is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Seconde Veille, Vénus & les Grâces: Entrée des Ombres by Louis Constantin, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM | ||
Lute Sonata No. 5 in G Major, WeissSW 5: II. Allemande | Silvius Leopold Weiss, José Miguel Moreno | D Minor | 0 | 7A | 96 BPM | ||
Gagliarda la gamba II | Anonymous, Musica Antiqua, Christian Mendoze | F Major | 1 | 7B | 85 BPM | ||
Pabanas | Lucas Ruis Ribayaz, Santiago De Murcia, Anonymous, Constantinople | G Major | 1 | 9B | 94 BPM | ||
Tandernaken, à 3 | Alexander Agricola, Fretwork | G Major | 1 | 9B | 147 BPM | ||
Sinfonia Und da der Sabbath vergangen war | Thomas Selle, Vox Luminis, Lionel Meunier | G Major | 0 | 9B | 89 BPM | ||
Ricercar 13 | Giulio Segni Da Modena, Gawain Glenton, Silas Wollston | A Major | 0 | 11B | 77 BPM | ||
Recercada ottava La Gamba | Diego Ortiz, Mika Suihkonen | F♯ Minor | 2 | 11A | 106 BPM | ||
Mystery (Rosary) Sonata: No. 3 in B Minor “The Nativity”: I. Sonata | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Ballo milanese | Giorgio Mainerio, Musica Antiqua, Christian Mendoze | A Major | 0 | 11B | 174 BPM |
Section: 0.6051983833312988
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