- BPM
- 75
- Key
- C Minor
- Camelot
- 5A
Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) - Raaf Hekkema, Calefax, Arthur Klaassens Information
- Acousticness
- 100%
- Danceability
- 12%
- Energy
- 13%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 6%
- Popularity
- 0%
- Loudness
- -16.256 dB
Summary
"Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079)" by Raaf Hekkema, Calefax, Arthur Klaassens was released on October 9, 2020. Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 1 out of 15 in Bach's Musical Offerings by Raaf Hekkema, Calefax, Arthur Klaassens. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) BPM
The tempo marking of Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) by Raaf Hekkema, Calefax, Arthur Klaassens is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Sonata sopr'il soggetto Reale: I. Largo (After J.S. Bach's BWV 1079) Key
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | |
 | Symphony in C Major, Op. 1, No. 6, (Callen 6): I. Allegro | Franz Ignaz Beck, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 2 | 9B | 143 BPM | |
 | Trauermusik | Paul Hindemith, Kim Kashkashian, Dennis Russell Davies, Stuttgart Chamber Orchestra | E Minor | 1 | 9A | 99 BPM | |
 | Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | C Minor | 0 | 5A | 148 BPM | |
 | Fantazia I in 3 Parts | Henry Purcell, Fretwork | D♭ Minor | 1 | 12A | 102 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | |
 | Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | |
 | Overture in D Minor, TWV 55:2: Menuet II. Doucement | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | F Major | 0 | 7B | 126 BPM | |
 | Concerto grosso in G Major, Op. 3, No. 3, HWV 314: III. Adagio | George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | E Minor | 1 | 9A | 171 BPM | |
 | Giulio Cesare, HWV 17: Se pieta de mi non senti (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Minor | 1 | 4A | 83 BPM |
- ISRC
- NLE421905001
- Label
- L-M Records/RCA Records
Section: 0.598841667175293
End: 0.6037859916687012