"Symphony No. 10, Op. 145, "Sinfonia da Camera": I. Lento e liberamente" by Edmund Rubbra, Richard Hickox, BBC National Orchestra Of Wales was released on October 1, 1995. With this song being about 5 minutes long, at 4:44, "Symphony No. 10, Op. 145, "Sinfonia da Camera": I. Lento e liberamente" by Edmund Rubbra, Richard Hickox, BBC National Orchestra Of Wales is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rubbra: Symphony No. 4, Symphony No. 10 & Symphony No. 11". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Symphony No. 10, Op. 145, "Sinfonia da Camera": I. Lento e liberamente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 10, Op. 145, "Sinfonia da Camera": I. Lento e liberamente by Edmund Rubbra, Richard Hickox, BBC National Orchestra Of Wales having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Suite 'The Buddha' Op. 64: III. The Ascetics | Edmund Rubbra, Helen Keen, Endymion Ensemble, Jane Salmon, Catherine Manson, Krysia Osostowicz, Melinda Maxwell | F♯ Major | 0 | 2B | 68 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
Lay a Garland | Robert Lucas Pearsall, The Choir of Magdalen College, Oxford, Mark Williams | E♭ Major | 2 | 5B | 80 BPM | ||
3 Shakespeare Choruses, Op. 39: No. 1. Over hill, over dale | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | D Major | 1 | 10B | 99 BPM | ||
Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
What are children to the Lord? | Kim André Arnesen, Thomas Berg-Juul, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Kristin Mulders | A♭ Major | 0 | 4B | 102 BPM | ||
Uti vår hage | Hugo Alfvén, Simon Phipps, Swedish Chamber Choir | A Minor | 3 | 8A | 100 BPM | ||
St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM |
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