"Trombone Fantasy, Op. 42: Slower -" by Paul Creston, Christian Lindberg, Malmö Symphony Orchestra, James DePreist was released on November 30, 1993. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Walker / Zwilich: Trombone Concertos by Christian Lindberg, Malmö Symphony Orchestra, James DePreist. The song's track number on the album is #2 out of 14 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Trombone Fantasy, Op. 42: Slower - is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trombone Fantasy, Op. 42: Slower - by Paul Creston, Christian Lindberg, Malmö Symphony Orchestra, James DePreist has a tempo of 64 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With Trombone Fantasy, Op. 42: Slower - being at 64 BPM, the half-time would be 32 BPM with a double-time of 128 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ソナタ: ソナタ: I. 精力的に | Paul Creston, Nobuya Sugawa, 小柳美奈子 | A♭ Minor | 2 | 1A | 126 BPM | ||
Etude No. 4 in a | Cyrille Rose, John Walker, Christopher Hill and John Walker | F♯ Major | 6 | 2B | 175 BPM | ||
Ibert: Flute Concerto: III. Allegro scherzando | Jacques Ibert, Emmanuel Pahud, David Zinman, Tonhalle Orchester Zürich | D♭ Major | 1 | 3B | 92 BPM | ||
Chant élégiaque, Op. 24 | Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu | F Major | 1 | 7B | 82 BPM | ||
Concerto No. 1 pour violon et orchestre: I. Allegro | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 2 | 9B | 116 BPM | ||
Lisbon "Dublin Bay" | Anonymous, Percy Grainger, J. Michael Holmes, Phil Pierick, Adam Hawthorne, Joyce Griggs, Jesse Dochnahl | B♭ Minor | 2 | 3A | 118 BPM | ||
Concerto in 1 movement (arr. A. Ostrander) | Alexey Konstantinovich Lebedev, Allen Ostrander, David Zerkel, Paolo Andre Gualdi | A Major | 0 | 11B | 68 BPM | ||
Piano Concerto No. 1 in A Major, Sz. 83: I. Allegro moderato — Allegro | Béla Bartók, Pierre-Laurent Aimard, San Francisco Symphony, Esa-Pekka Salonen | C Major | 2 | 8B | 114 BPM | ||
Suite from The Miraculous Mandarin, Op. 19, Sz. 73, BB 82: I. Introduction | Béla Bartók, The Cleveland Orchestra, Franz Welser-Möst | F Minor | 1 | 4A | 101 BPM | ||
Nocturne, Op. 7 | Franz Strauss, Stefan Dohr, Markus Becker | D♭ Major | 0 | 3B | 67 BPM |
Section: 0.5062005519866943
End: 0.5101568698883057