Pascal Comelade made "Haiku de Tango - Traffic d'Abstractions - 1993" available on 1988. With Haiku de Tango - Traffic d'Abstractions - 1993 being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 15 in Bel Canto (1988 / 1993) by Pascal Comelade. Based on our statistics, Haiku de Tango - Traffic d'Abstractions - 1993's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Haiku de Tango - Traffic d'Abstractions - 1993 by Pascal Comelade is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Orff-Schulwerk: Spielstücke für Xylophon, No. 24 | Gunild Keetman, Various Artists, Ilya Kater, Stuttgart Piano Trio, Jen? Jandó, Janos Sebestyen, Karl Peinkofer Percussion Ensemble, Slovak Philharmonic, English String Orchestra, Polish National Radio Symphony Orchestra, Czecho-Slovak Symphony Orchestra | B♭ Major | 2 | 6B | 136 BPM | ||
Total Balthazar | Jean-Philippe Goude | D♭ Major | 3 | 3B | 99 BPM | ||
Le Temps Qui Meurt | Michelle Gurevich | B Minor | 1 | 10A | 93 BPM | ||
Often A Bird | Wim Mertens | D Major | 1 | 10B | 154 BPM | ||
A Estrada | Rodrigo Leão | G Minor | 3 | 6A | 103 BPM | ||
The Swans Flight | Bruno Coulais | G Minor | 0 | 6A | 70 BPM | ||
Vous et nous | Brigitte Fontaine, Areski Belkacem | B Major | 1 | 1B | 87 BPM | ||
The Scene | Wim Mertens | C Major | 2 | 8B | 69 BPM | ||
Otto e mezzo - Suite: 6. Passerella d’addio | Nino Rota, Filarmonica della Scala, Riccardo Chailly | A Minor | 4 | 8A | 137 BPM | ||
Moyshele | Les Yeux Noirs | D Minor | 1 | 7A | 129 BPM |
Section: 0.6645009517669678
End: 0.6679589748382568