Benjamin Frankel, RTE Concert Orchestra, Ernest Tomlinson made "So Long at the Fair: Carriage and Pair" available on December 7, 1994. The duration of So Long at the Fair: Carriage and Pair is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. So Long at the Fair: Carriage and Pair's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in RTE Concert Orchestra's "Miniatures (British Light Music)" album is number 4 out of 18. The popularity of So Long at the Fair: Carriage and Pair is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of So Long at the Fair: Carriage and Pair by Benjamin Frankel, RTE Concert Orchestra, Ernest Tomlinson to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Natko Devčić: Istrian Suite: II. Leaping Dance | Natko Devcic, Muenchner Rundfunkorchester, Ivan Repušić, Munich Radio Orchestra | F Minor | 2 | 4A | 80 BPM | ||
Farewell to Stromness | Peter Maxwell Davies, Rory Macdonald, Royal Scottish National Orchestra | C Minor | 5 | 5A | 92 BPM | ||
The Siege of Ambleve | Benjamin Frankel, Queensland Symphony Orchestra, Werner Andreas Albert | F♯ Minor | 2 | 11A | 85 BPM | ||
Third Movement Moderate Pesante | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | G Minor | 1 | 6A | 79 BPM | ||
Ecuus Ferus I | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D♭ Minor | 0 | 12A | 85 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Dr. Merryheart: IX. The Dance Of Merryheart - Merryhearts Tanz | RTÉ National Symphony Orchestra, Havergal Brian | C Major | 3 | 8B | 104 BPM | ||
Abbey Road concerto for Violin and Orchestra: XII. Maxwell’s Silver Hammer | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
And Tired From Happiness, They Started to Dance: II. Motion of Waiting | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | A Minor | 1 | 8A | 117 BPM | ||
Springtime Suite: Noonday Song | Eric Coates, BBC Concert Orchestra, John Wilson | G Major | 1 | 9B | 64 BPM |
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