"The Chariot Jubilee" by Robert Nathaniel Dett, Nathaniel Dett Chorale was released on October 29, 2002. The Chariot Jubilee appears to be safe for all ages as it is not explicit. The track order of this song in Robert Nathaniel Dett, Nathaniel Dett Chorale's "Listen To The Lambs - The Music Of R. Nathaniel Dett" album is number 9 out of 13. On top of that, Canada appears to be the country where this track was created. In terms of popularity, The Chariot Jubilee is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Chariot Jubilee by Robert Nathaniel Dett, Nathaniel Dett Chorale to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Four Little Pieces for Piano Duet: 3. Little Serenade | Peter Sculthorpe, Viney–Grinberg Piano Duo | F Major | 0 | 7B | 64 BPM | ||
Ma mère l'Oye, M. 60: III. Laideronnette, impératrice des pagodes | Maurice Ravel, Alessio Bax, Lucille Chung | E♭ Minor | 0 | 2A | 130 BPM | ||
Dvořák: Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Allegretto grazioso | Antonín Dvořák, Alexandre Tharaud, Mariam Batsashvili | B Major | 0 | 1B | 95 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Magnolia, Pt. 2: Pt. 2, The Place Where the Rainbow Ends | Robert Nathaniel Dett, Clipper Erickson | F♯ Major | 1 | 2B | 76 BPM | ||
6 Preludes and Fugues in Free Style, Op. 53: Prelude No. 6 in C Minor | Anton Rubinstein, Martin Cousin | A♭ Major | 0 | 4B | 70 BPM | ||
In the bottoms: II. His Song | Robert Nathaniel Dett, Natalie Hinderas | D Major | 0 | 10B | 76 BPM | ||
Paraphrase de concert sur „Mi Buenos Aires Querido" | Hannes Pohlit, Carlos Gardel | B♭ Major | 2 | 6B | 56 BPM | ||
Musical Jewellery Box | Stephen Hough | B♭ Major | 1 | 6B | 74 BPM | ||
Ten songs: Embraceable you | George Gershwin, Pietro Beltrani, Daniele Negrini, Tiziano Guerzoni, Tommaso Ussardi, Orchestra Senzaspine | E♭ Major | 0 | 5B | 84 BPM |
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