"「カルメン」第2組曲: 闘牛士の歌" by Georges Bizet, Slovak Philharmonic, Anthony Bramall was released on November 26, 2014. The duration of 「カルメン」第2組曲: 闘牛士の歌 is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 「カルメン」第2組曲: 闘牛士の歌's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 銀盤クラシック オペラ座 to 第九 - for Figure Skating 2014-2015(フィギュアスケート), so we believe that "「カルメン」第2組曲: 闘牛士の歌" is a single. Based on our statistics, 「カルメン」第2組曲: 闘牛士の歌's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 「カルメン」第2組曲: 闘牛士の歌 by Georges Bizet, Slovak Philharmonic, Anthony Bramall is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 35: I. Allegro moderato | Pyotr Ilyich Tchaikovsky, Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | D Major | 1 | 10B | 79 BPM | ||
Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
スクリャービン:エチュード 嬰ニ短調 作品8-12 | Alexander Scriabin, 四月は君の嘘 僕と君との音楽帳 | E Major | 3 | 12B | 103 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto Allegro | Wolfgang Amadeus Mozart, エマニュエル・クリヴィヌ, フィルハーモニア管弦楽団 | D Major | 0 | 10B | 80 BPM | ||
バレエ組曲《くるみ割人形》より あし笛の踊り | Václav Neumann, Czech Philharmonic Chamber Orchestra | B♭ Major | 7 | 6B | 112 BPM | ||
双頭の鷲の下に | Japan Air Self-Defense Force Central Band | E♭ Major | 4 | 5B | 119 BPM | ||
組曲《展覧会の絵》: 卵の殻をつけた雛の踊り | Modest Mussorgsky, Andrea Battistoni, Tokyo Philharmonic Orchestra | F♯ Major | 2 | 2B | 88 BPM | ||
アヴェ・マリア | J.S. バッハ, C. グノー, 藤森亮一(チェロ), カール=アンドレアス・コリー(ピアノ) | A♭ Major | 1 | 4B | 69 BPM | ||
くるみ割り人形 Op. 71a 第7曲 葦笛の踊り | 遠江国オーケストラ | D Major | 1 | 10B | 141 BPM | ||
The Planets, Op. 32: 4. Jupiter, The Bringer Of Jollity | Gustav Holst, Boston Symphony Orchestra, Seiji Ozawa | G Minor | 2 | 6A | 133 BPM |
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