"Cable Chick" by John Powell was released on January 1, 2003. The duration of Cable Chick is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Cable Chick's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "The Italian Job (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Cable Chick is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cable Chick by John Powell having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three 8 Bar Drum Loops - Hidden Track | David Holmes | B Major | 8 | 1B | 100 BPM | ||
Peter And Christina | Jeff Beal | E Minor | 2 | 9A | 81 BPM | ||
Ontological Shock | Don Davis | G Minor | 5 | 6A | 67 BPM | ||
Raise Your Hand If You're Guilty | Blake Neely | G Major | 2 | 9B | 104 BPM | ||
Wine Safari | Rolfe Kent | F Major | 6 | 7B | 115 BPM | ||
21 Days | Alexandre Desplat | F Minor | 0 | 4A | 84 BPM | ||
100 Doses | Cliff Martinez | G Major | 3 | 9B | 98 BPM | ||
Epilogue Part II | Kevin Kiner | E Minor | 1 | 9A | 47 BPM | ||
Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
Stealing The Stock (Intro) Le renard de nuit | David Holmes | D Major | 5 | 10B | 85 BPM |
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