"Caldara: Sonata da camera No. 3 in D Major (from "12 Trio Sonatas", Op. 2): III. Giga" by Antonio Caldara, Il Seminario Musicale, Pierre Hantaï was released on 1999. With Caldara: Sonata da camera No. 3 in D Major (from "12 Trio Sonatas", Op. 2): III. Giga being less than two minutes long, at 1:46, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 24 in Caldara & Stradella - Cantatas & Motets by Gérard Lesne, Sandrine Piau, Il Seminario Musicale. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Caldara: Sonata da camera No. 3 in D Major (from "12 Trio Sonatas", Op. 2): III. Giga is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Caldara: Sonata da camera No. 3 in D Major (from "12 Trio Sonatas", Op. 2): III. Giga by Antonio Caldara, Il Seminario Musicale, Pierre Hantaï is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
St. John Passion: Part One Coro. Herr, unser Herrscher | Johann Sebastian Bach, Ricercar Consort, Hans-Jörg Mammel, Carlos Mena, Philippe Pierlot, Maria Keohane, Jan Kobow | F♯ Minor | 2 | 11A | 76 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | ||
Maddalena ai piedi di Cristo: No. 42 Recitativo Marta, Maddalena "Maddalena, costanza" | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini, Maria Cristina Kiehr | A Major | 1 | 11B | 83 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM | ||
Acis and Galatea, HWV 49b: Sinfonia | George Frideric Handel, Kym Amps, Angus Davidson, Robin Doveton, David van Asch, The Scholars Baroque Ensemble | G Major | 5 | 9B | 140 BPM | ||
Partita in A Minor, FbWV 628: I. Allemande | Johann Jakob Froberger, Simone Stella | E♭ Minor | 1 | 2A | 81 BPM |
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