Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman made "Carnival of the Animals, R. 125: Fossils" available on 1961. With Carnival of the Animals, R. 125: Fossils being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #13. Furthermore, we believe that the track originated from United States. In terms of popularity, Carnival of the Animals, R. 125: Fossils is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Carnival of the Animals, R. 125: Fossils by Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | C Minor | 0 | 5A | 77 BPM | ||
Carnival of the Animals: XIII. The Swan (arr. for violin and piano) | Anonymous, Camille Saint-Saëns, Matthew Trusler, Alexander Taylor | G Major | 1 | 9B | 84 BPM | ||
Saint-Saëns: Carnival of the Animals, R. 125: No. 13 The Swan | Camille Saint-Saëns, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 0 | 9B | 87 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
Liebesleid | Fritz Kreisler, Joshua Bell, Paul Coker | A Major | 1 | 11B | 74 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Romanian Folk Dances, Sz 56: III. Pe-loc - Andante | Béla Bartók, Andrew Rangell | C Major | 0 | 8B | 88 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 140 BPM | ||
Miroirs: III. Une barque sur l'océan | Maurice Ravel, André Laplante | D Major | 0 | 10B | 76 BPM |
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