"Escobar: Salve Regina, a 5" by Juan de Lienas, The Hilliard Ensemble, Paul Hillier had its release date on 1991. This song appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Spain and the New World - Renaissance music from Aragon and Mexico". In this album, this song's track order is #10. Based on our statistics, Escobar: Salve Regina, a 5's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Escobar: Salve Regina, a 5 by Juan de Lienas, The Hilliard Ensemble, Paul Hillier having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Missa si Deus pro nobis, a 16 voci: II. Christe eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 78 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Serenade of the Celestials | LeoRoads | E Major | 1 | 12B | 117 BPM | ||
God Is Our Refuge | Wolfgang Amadeus Mozart | G Minor | 0 | 6A | 76 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
La nuit froide et sombre | Orlande de Lassus, Ratas del viejo Mundo | A Major | 2 | 11B | 72 BPM | ||
Missa Sanctae Crucis, MH 56: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM | ||
Pulchra es (2018) | Jaakko Mäntyjärvi, Stephen Layton, The Choir Of Trinity College, Cambridge | C Major | 1 | 8B | 78 BPM |