John Dowland, Grace Davidson, David Miller's 'Can She Excuse My Wrongs with Virtue's Cloak?' came out on November 2, 2018. The duration of Can She Excuse My Wrongs with Virtue's Cloak? is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Can She Excuse My Wrongs with Virtue's Cloak?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Dowland, Grace Davidson, David Miller's "John Dowland: First Booke of Songes or Ayres" album is number 5 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Can She Excuse My Wrongs with Virtue's Cloak? is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Can She Excuse My Wrongs with Virtue's Cloak? by John Dowland, Grace Davidson, David Miller to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in G Major: I. Prelude | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 100 BPM | ||
Lute music - Italy: Lo spagnoletto - Il bianco fiore | Cesare Negri, Konrad Ragossnig | F Major | 2 | 7B | 87 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Première Suytte de Branles d'Escosse | Pierre Attaingnant, The King's Noyse, David Douglass | E♭ Major | 1 | 5B | 98 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | F Major | 0 | 7B | 82 BPM | ||
Dances: Galliard [12] | Anthony Holborne, Guildhall Waits, Trevor Jones, Consort Of Musicke, Anthony Rooley | C Major | 0 | 8B | 158 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Suite in G Major: II. Allemande | Robert de Visée, Yasunori Imamura | C Major | 1 | 8B | 58 BPM |
Section: 0.4836118221282959
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