Raaf Hekkema, Calefax, Arthur Klaassens's '14 Canons (After J.S. Bach's BWV 1087)' came out on October 9, 2020. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 15 in Bach's Musical Offerings by Raaf Hekkema, Calefax, Arthur Klaassens. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 14 Canons (After J.S. Bach's BWV 1087) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 14 Canons (After J.S. Bach's BWV 1087) by Raaf Hekkema, Calefax, Arthur Klaassens is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Flute Duet No. 2 in E-Flat Major, F. 55: II. Adagio ma non molto | Wilhelm Friedemann Bach, Seiya Ueno, Alexis Roman | F Minor | 0 | 4A | 67 BPM | ||
Duet for 2 Flutes in E Minor, F. 54: III. Vivace | Wilhelm Friedemann Bach, Patrick Gallois, Kazunori Seo | E Minor | 1 | 9A | 77 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Partita I, BWV 1002: VIII. Double | Johann Sebastian Bach, Raaf Hekkema | C Minor | 1 | 5A | 89 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
Studies for Player Piano: Study 11 | Conlon Nancarrow, Oliver Boekhorn, Iver Berix, Raaf Hekkema, Jelte Althuis, Alban Wesly, Ivo Janssen, Ivar Berix | C Major | 2 | 8B | 140 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM |
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