Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) - Johann Sebastian Bach, Kun-Woo Paik Information

Acousticness: 100%
Danceability: 21%
Energy: 1%
Instrumentalness: 91%
Liveness: 9%
Loudness: 48%
Speechiness: 5%
Valence: 15%
Popularity: 33%
Loudness: -30.953 dB

Summary

"Jesus Christus, unser Heiland, BWV665 (Arr. Busoni)" by Johann Sebastian Bach, Kun-Woo Paik was released on January 1, 2000. Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 9 out of 14 in Bach, J.S. transcr. Busoni: Toccata; Chorale Preludes; Chaconne by Johann Sebastian Bach, Kun-Woo Paik. Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) BPM

The tempo marking of Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) by Johann Sebastian Bach, Kun-Woo Paik is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Jesus Christus, unser Heiland, BWV665 (Arr. Busoni) Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: III. Andantino, dolce	Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni	G Major	1	9B	173 BPM
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto	Johann Sebastian Bach, Arthur Grumiaux, Herman Krebbers, Les Solistes Romands, Arpad Gérecz	F Major	2	7B	90 BPM
Piano Sonata No. 34 in C Minor: I. Larghetto	Baldassare Galuppi, Víkingur Ólafsson	C Minor	0	5A	70 BPM
Concerto for 2 Violins in D Minor, BWV 1043: III. Allegro	Johann Sebastian Bach, Christine Pichlmeier, Lisa Stewart, Cologne Chamber Orchestra, Helmut Muller-Bruhl	F♯ Major	1	2B	141 BPM
6 Chorale Preludes, BV B 50: Herzlich tut mich verlangen, Op. 122/10	Johannes Brahms, Ferruccio Busoni, Igor Levit	A Minor	0	8A	84 BPM
Sonata for Violin and Basso Continuo in G Major, TWV 41:G1: II. Allegro	Georg Philipp Telemann, Boris Begelman	F♯ Major	4	2B	116 BPM
Concerto grosso No. 7 in D Major, Op. 6: III. Andante largo	Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova	B♭ Minor	1	3A	144 BPM
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	A Minor	1	8A	79 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)	Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips	A Major	0	11B	79 BPM
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen	Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs	E♭ Minor	3	2A	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.5970897674560547

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