Carl Michael Ziehrer, Daniel Behle, Anneli Pfeffer, WDR Sinfonieorchester Köln, Helmuth Froschauer's ' "Die Landstreicher, Prologue: Mein Fräulein ihr Vergehen" was released on its scheduled release date, January 1, 2016. The duration of This song is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Die Landstreicher, Prologue: Mein Fräulein ihr Vergehen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Ziehrer: Die Landstreicher by Carl Michael Ziehrer, Daniel Behle, Thomas Dewald, Maria Leyer, Caroline Stein, WDR Sinfonieorchester Köln, Helmuth Froschauer. The song's track number on the album is #2 out of 19 tracks. Based on our data, Germany was the country where this track was produced or recorded. Die Landstreicher, Prologue: Mein Fräulein ihr Vergehen is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Die Landstreicher, Prologue: Mein Fräulein ihr Vergehen by Carl Michael Ziehrer, Daniel Behle, Anneli Pfeffer, WDR Sinfonieorchester Köln, Helmuth Froschauer has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Die Landstreicher, Prologue: Mein Fräulein ihr Vergehen being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donau Wellen (Wave Of The Danube) | Ion Ivanovici, Andrew Davis | C Major | 1 | 8B | 199 BPM | ||
Morning, Noon and Night in Vienna | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | F Major | 2 | 7B | 80 BPM | ||
Deborah Polka-Mazurka (1857) | Hans Christian Lumbye, Tivoli Symphony Orchestra | E Minor | 2 | 9A | 134 BPM | ||
1. Cambio Climático (Principio), para Orquesta - En Vivo | Arturo Márquez, Alondra de la Parra, La Orquesta Imposible | E Minor | 6 | 9A | 157 BPM | ||
Chantilly, Waltz, Op. 171 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | B♭ Major | 2 | 6B | 99 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
La Traviata: Ouverture | Giuseppe Verdi, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | E♭ Major | 4 | 5B | 114 BPM | ||
Orpheus in der Unterwelt · Operette in 2 Akten (1988 Digital Remaster): Ouvertüre (Orchester) | Jacques Offenbach, Adolf Dallapozza/Gisela Litz/Grit van Jüten/Theo Lingen/Ferry Gruber /Kari Lövaas/Brigitte Lindner /Chor der Kölner Oper/Philharmonia Hungarica/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Philharmonia Hungarica | E♭ Major | 4 | 5B | 124 BPM | ||
G'schwind wie der Wind Polka schnell, op. 165 | Carl Michael Ziehrer, Original C.M.Ziehrer Orchester, Hans Schadenbauer | F Major | 3 | 7B | 77 BPM | ||
Grainger: Mock Morris, "Room Music Tit-Bits, No. 1" (At fast jog trotting speed) | Percy Grainger, Sir Vivian Dunn, Light Music Society Orchestra | G Major | 2 | 9B | 92 BPM |