Sergei Rachmaninoff, Mikhail Pletnev, Libor Pešek's 'Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXII. Un poco più vivo. Alla breve' came out on 1988. With Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXII. Un poco più vivo. Alla breve being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Rachmaninoff: Piano Concerto No.1 - Rhapsody on a theme of Paganini". In this album, this song's track order is #27. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXII. Un poco più vivo. Alla breve is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Rachmaninov: Rhapsody on a Theme of Paganini, Op. 43: Variation XXII. Un poco più vivo. Alla breve by Sergei Rachmaninoff, Mikhail Pletnev, Libor Pešek having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rachmaninov: 14 Romances, Op. 34: No. 14, Vocalise (Transcr. Strauss & Rizikov for Cello and Piano) | Sergei Rachmaninoff, Lisa Strauss, Anastasia Rizikov | E♭ Major | 1 | 5B | 108 BPM | ||
Nocturne No. 5 in B Flat Major, H.37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
L'Arlésienne Suite No. 1, WD 40: 3. Adagietto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | F Major | 0 | 7B | 86 BPM | ||
Raymonda, Act III: Variation 3 | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | D Major | 0 | 10B | 73 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Los Angeles Philharmonic, Zubin Mehta | E♭ Major | 1 | 5B | 142 BPM | ||
Prélude, fugue et variation in B Minor, Op. 18, FWV 30 (Arr. H. Bauer for Piano): II. Lento | César Franck, Jean-Pierre Armengaud | F♯ Major | 0 | 2B | 112 BPM |
Section: 0.7306816577911377
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