Sylvie Bodorová, Stefan Margita, Irvin Venyš, Martina Bačová, Pavla Franců, Jitka Hosprová, Karel Chudý, Kateřina Englichová, Markéta Mazourová, Quattro Orchestra, Marek Štilec's ' "Ja Ra Laj: No. 11. Pockaj, dievca (Wait, girl)" was released on its scheduled release date, September 1, 2012. The duration of This song is about 3 minutes long, at 3:01. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 27 in Bodorova: JA RA LAJ by Sylvie Bodorová, Stefan Margita, Marek Štilec. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ja Ra Laj: No. 11. Pockaj, dievca (Wait, girl) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Ja Ra Laj: No. 11. Pockaj, dievca (Wait, girl) by Sylvie Bodorová, Stefan Margita, Irvin Venyš, Martina Bačová, Pavla Franců, Jitka Hosprová, Karel Chudý, Kateřina Englichová, Markéta Mazourová, Quattro Orchestra, Marek Štilec is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lieder Ohne Worte, Erstes Heft, Op. 19 (Arr. for Violin and Piano by Ferdinand David): IV. Venetianisches Gondellied: Andante con moto | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Romeo and Juliet, Op. 64: I. Introduction | Sergey Prokoviev, Adrien La Marca, Christian Arming, Liège Royal Philharmonic | D Major | 0 | 10B | 77 BPM | ||
Wedding Bells | Balanescu Quartet | A Major | 2 | 11B | 90 BPM | ||
In a Lonely Place | Cho Young-Wuk | G Major | 2 | 9B | 174 BPM | ||
Nightingales Sing In Berkeley Square | Carrie Baynes | D♭ Major | 1 | 3B | 81 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Five Negro Melodies for Piano Trio: II. I was way down a-yonder | Samuel Coleridge-Taylor, Neave Trio | B♭ Major | 1 | 6B | 68 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
7 Canciones Populares Españolas (Arr. R. Boyd & L. Metcalf for Cello & Guitar): No. 5, Nana | Manuel de Falla, Boyd Meets Girl | A Minor | 0 | 8A | 96 BPM | ||
Sonata No. 5 in E Minor, RV 40: I. Largo | Ashima Scripp, Eleanor Perrone | F Major | 1 | 7B | 135 BPM |