"Prelude No. 7 in A Major, Op. 28, No. 7 (arr. A. Segovia for guitar)" by Andrés Segovia, Frédéric Chopin was released on April 30, 2008. With Prelude No. 7 in A Major, Op. 28, No. 7 (arr. A. Segovia for guitar) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "SEGOVIA, Andres: 1950s American Recordings, Vol. 2 (Segovia, Vol. 4)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from Hong Kong. Prelude No. 7 in A Major, Op. 28, No. 7 (arr. A. Segovia for guitar) is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Prelude No. 7 in A Major, Op. 28, No. 7 (arr. A. Segovia for guitar) by Andrés Segovia, Frédéric Chopin having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Frescobalda in E Minor, Artemisia 0124: I. La Frescobalda - Studio Recording | Girolamo Frescobaldi, Andrés Segovia | D Minor | 0 | 7A | 137 BPM | ||
Jaranera | Federico Moreno Torroba, Ana Vidovic | A Major | 1 | 11B | 110 BPM | ||
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
Rondo | Andrés Segovia | G Major | 3 | 9B | 109 BPM | ||
Guitarreo | Carlos Pedrell, Andrés Segovia | A Major | 1 | 11B | 87 BPM | ||
12 Etudes, Op.25: No.2 in F Minor | Pianozone, Frédéric Chopin | D♭ Major | 3 | 3B | 83 BPM | ||
25 Etudes for Guitar, Op. 38: Etude No. 3 in D Minor | Napoléon Coste, Flavio Apro | E Minor | 1 | 9A | 107 BPM | ||
13 Catalan Folksongs: El mestre | Miguel Llobet Solés, Lorenzo Micheli | A Minor | 0 | 8A | 58 BPM | ||
Suite del Plata, No. 1: Candombe | Maximo Diego Pujol, Victor Villadangos | D Major | 1 | 10B | 180 BPM | ||
Sonatina meridional: III. Fiesta | Manuel Ponce, Andrés Segovia | D Major | 2 | 10B | 88 BPM |
Section: 0.8098485469818115
End: 0.8156006336212158