Mass in B Minor, BWV 232: Aria. Agnus Dei - Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger Information

Acousticness: 97%
Danceability: 14%
Energy: 3%
Instrumentalness: 0%
Liveness: 11%
Loudness: 57%
Speechiness: 5%
Valence: 5%
Popularity: 2%
Loudness: -25.594 dB

Summary

"Mass in B Minor, BWV 232: Aria. Agnus Dei" by Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger was released on January 1, 2001. With this song being about 5 minutes long, at 5:00, "Mass in B Minor, BWV 232: Aria. Agnus Dei" by Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Norwegian Baroque Orchestra, Catherine King's "J.S. Bach: Alto Arias" album is number 6 out of 11. Mass in B Minor, BWV 232: Aria. Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Mass in B Minor, BWV 232: Aria. Agnus Dei BPM

We consider the tempo marking of Mass in B Minor, BWV 232: Aria. Agnus Dei by Johann Sebastian Bach, Catherine King, Norwegian Baroque Orchestra, Julian Podger to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Mass in B Minor, BWV 232: Aria. Agnus Dei Key

This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo	Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach	G Major	2	9B	81 BPM
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto	Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis	D Minor	2	7A	145 BPM
Sinfonia No. 2 in C Minor, BWV 788	Johann Sebastian Bach, Maurizio Zaccaria	B Minor	1	10A	111 BPM
Fantasia in C minor, K.475: Andantino	Wolfgang Amadeus Mozart, András Schiff	C Minor	0	5A	142 BPM
Sonata in D Minor, K. 9	Domenico Scarlatti, Ivo Pogorelich	D Minor	0	7A	94 BPM
Requiem In D Minor, K. 626: Sanctus	Slovak Philharmonic, Jozef Kundlák, Jaroslava Horska, Peter Mikulas, Slovak Philharmonic Chorus, Vladimir Ruso, Stefan Klimo, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart	D Major	3	10B	82 BPM
Bach, JS: Concerto for 4 Pianos in A Minor, BWV 1065: I. Allegro	Johann Sebastian Bach, David Fray, Audrey Vigoureux, Emmanuel Christien, Jacques Rouvier, Orchestre National Du Capitole De Toulouse	A Minor	3	8A	108 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Bach, JS: Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto	Johann Sebastian Bach, Monica Huggett, John Toll, Pavlo Beznosiuk, Richard Campbell, Richard Tunnicliffe, Sarah Cunningham, William Hunt, Orchestra of the Age of Enlightenment	D Major	0	10B	81 BPM
Water Music Suite No. 1 in F Major, HWV 348: II. Adagio e staccato	George Frideric Handel, The English Concert, Trevor Pinnock	D♭ Minor	0	12A	106 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6060500144958496

End: 0.6120975017547607