"Giasone, Act I: Act I: Regina, intendo, intendo (Giasone, Medea, Delfa)" by Francesco Cavalli, David Hansen, Celeste Lazarenko, Adrian McEniery, Erin Helyard, Orchestra of the Antipodes was released on July 1, 2015. With this song being about 5 minutes long, at 4:33, "Giasone, Act I: Act I: Regina, intendo, intendo (Giasone, Medea, Delfa)" by Francesco Cavalli, David Hansen, Celeste Lazarenko, Adrian McEniery, Erin Helyard, Orchestra of the Antipodes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 14 out of 55 in Cavalli: Giasone (Live) by Francesco Cavalli, David Hansen, Celeste Lazarenko, Miriam Allan, Christopher Saunders. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Giasone, Act I: Act I: Regina, intendo, intendo (Giasone, Medea, Delfa) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giasone, Act I: Act I: Regina, intendo, intendo (Giasone, Medea, Delfa) by Francesco Cavalli, David Hansen, Celeste Lazarenko, Adrian McEniery, Erin Helyard, Orchestra of the Antipodes is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
Sinfonia No. 6 in G minor (arrangement of oratorio sinfonia San Elena al Calvario): Sant' Elena al Calvario: Introduzione, "Sinfonia No. 6 in G Minor" | Antonio Caldara, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Balletto à 3 in G Major, Op. 3 No. 3: I. Preludio. Largo | Tomaso Albinoni, London Baroque | F♯ Major | 2 | 2B | 105 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Varie partite del passemezo, ciaccona, capricii, e passagalii, Op. 7: Ciaccona | Giovanni Battista Vitali, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
Folias echa para mi Señora Doña Tarolilla | Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker | C Major | 2 | 8B | 77 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Ouverture in E Minor, TWV 55:e1: III. Rondeau | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | F♯ Major | 0 | 2B | 149 BPM | ||
Rossi: "Begl'occhi che dite" | Luigi Rossi, Christina Pluhar, Véronique Gens | F Minor | 0 | 4A | 109 BPM |
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