Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France's 'Prokofiev : War and Peace : Scene 6 Un salon de la maison de Madame Akhrossimova [Natasha, Douniascha, Akhrossimova]' came out on 1988. The duration of Prokofiev : War and Peace : Scene 6 Un salon de la maison de Madame Akhrossimova [Natasha, Douniascha, Akhrossimova] is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Prokofiev : War and Peace : Scene 6 Un salon de la maison de Madame Akhrossimova [Natasha, Douniascha, Akhrossimova]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 73 in the song's album "Prokofiev : War and Peace". In this album, this song's track order is #19. Prokofiev : War and Peace : Scene 6 Un salon de la maison de Madame Akhrossimova [Natasha, Douniascha, Akhrossimova] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev : War and Peace : Scene 6 Un salon de la maison de Madame Akhrossimova [Natasha, Douniascha, Akhrossimova] by Sergei Prokofiev, Mstislav Rostropovich, Orchestre National De France having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): Promenade II | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 0 | 4B | 73 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Capriol Suite: 1. Basse-danse | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | D Minor | 2 | 7A | 133 BPM | ||
St. Paul's Suite, Op. 29, No. 2: II. Ostinato | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 1 | 8B | 108 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) | Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga Watts | A Minor | 4 | 8A | 91 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
Elgar: Serenade for Strings, Op. 20: I. Allegro piacevole | Edward Elgar, London Philharmonic Orchestra, Sir Adrian Boult | E Minor | 1 | 9A | 125 BPM |
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