Anonymous, Astor Piazzolla, Kris & Yarema Duo made "Triunfal (arr. for 2 guitars)" available on August 1, 2013. The duration of Triunfal (arr. for 2 guitars) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Triunfal (arr. for 2 guitars)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 27 in Classical Guitars by Kris & Yarema Duo. Based on our statistics, Triunfal (arr. for 2 guitars)'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Triunfal (arr. for 2 guitars) by Anonymous, Astor Piazzolla, Kris & Yarema Duo is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Preludio in C Minor | Agustín Barrios Mangoré, Celil Refik Kaya | F Minor | 0 | 4A | 103 BPM | ||
Libertango - Arr. for Guitar and Strings by Dmitry Borodaev | Astor Piazzolla, Artyom Dervoed, Yuri Medianik, Sergey Shamov, Vladislav Lavrik, David Molard Soriano, Russian National Orchestra | A Minor | 5 | 8A | 141 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
Las Cuatro Estaciones Porteñas: III. Invierno Porteño | Gryphon Trio | E♭ Major | 2 | 5B | 79 BPM | ||
Monti: Csárdás | Vittorio Monti, Edgar Moreau, Pierre-Yves Hodique, Basil Cameron, Philharmonia Orchestra | D Major | 1 | 10B | 85 BPM | ||
V Bailongo | Jorge Luis Borges, Astor Piazzolla | C Major | 6 | 8B | 128 BPM | ||
María de Buenos Aires, Pt. 1: Fuga y Misterio | Astor Piazzolla, Lothar Hensel, Mariska van der Sande, Mikhail Ovrutsky, Grigori Alumyan, Róbert Grondžel, Christian Kiefer, Thomas Wise, Bonn Beethoven Orchestra, Christopher Sprenger | A Minor | 2 | 8A | 140 BPM | ||
In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
Bach, JS / Arr. Braga: Two-Part Inventions: No. 8 in F Major, BWV 779 | Johann Sebastian Bach, Camerata Brasil, Henrique Cazes | F Major | 3 | 7B | 107 BPM | ||
Prelude No. 1 in E Minor (Andantino expressivo) | John C. Williams, Heitor Villa-Lobos | E Minor | 1 | 9A | 117 BPM |
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