In All The Wrong Places Instrumental - 12 inch version
Kero One, Sound Providers
In All the Wrong Places/ Give Thanks
7:49 November 6, 2006
BPM
90
Key
B♭ Minor
Camelot
3A

Embed

Share Link

In All The Wrong Places Instrumental - 12 inch version - Kero One, Sound Providers Information

Acousticness
18%
Danceability
76%
Energy
51%
Instrumentalness
80%
Liveness
11%
Loudness
87%
Speechiness
4%
Valence
34%
Popularity
Loudness
-7.688 dB

Summary

Kero One, Sound Providers's 'In All The Wrong Places Instrumental - 12 inch version' came out on November 6, 2006. Since In All The Wrong Places Instrumental - 12 inch version is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Kero One, Sound Providers's "In All the Wrong Places/ Give Thanks" album is number 3 out of 4. On top of that, United States appears to be the country where this track was created. In terms of popularity, In All The Wrong Places Instrumental - 12 inch version is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.

In All The Wrong Places Instrumental - 12 inch version BPM

We consider the tempo marking of In All The Wrong Places Instrumental - 12 inch version by Kero One, Sound Providers to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

In All The Wrong Places Instrumental - 12 inch version Key

This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Hear and Now by Thes OneHear and NowThes OneA Major311B100 BPM
New Tomorrow Featuring Salem and Topix by Nitsua, Salem, TopixNew Tomorrow Featuring Salem and TopixNitsua, Salem, TopixF♯ Minor711A96 BPM
Conte by Question?ConteQuestion?D♭ Minor812A180 BPM
Ba Dada by The Jazzual SuspectsBa DadaThe Jazzual SuspectsD♭ Major33B100 BPM
The Cycle Repeats by Kero OneThe Cycle RepeatsKero OneD♭ Major73B93 BPM
Crawfish & Chips by QSTNCrawfish & ChipsQSTND Major710B98 BPM
Let's Ride by Kero OneLet's RideKero OneE Minor59A99 BPM
When The Clock Ticks - Feat. J. Sands by Jazz LiberatorzWhen The Clock Ticks - Feat. J. SandsJazz LiberatorzB Major61B97 BPM
Geishas In The Days (Shin-Ski Remix) by Nomak, PismoGeishas In The Days (Shin-Ski Remix)Nomak, PismoB♭ Minor93A94 BPM
Lively Purple by BlazoLively PurpleBlazoF Major77B92 BPM
ISRC
US5240610017
Label
L-M Records/RCA Records

Section: 0.5288474559783936

End: 0.5323765277862549