Five Foot Two, Eyes of Blue (Recorded 1925) - Gene Austin Information

Acousticness
100%
Danceability
75%
Energy
25%
Instrumentalness
82%
Liveness
32%
Loudness
77%
Speechiness
17%
Valence
68%
Popularity
Loudness
-13.79 dB

Summary

Gene Austin made "Five Foot Two, Eyes of Blue (Recorded 1925)" available on November 22, 2014. The duration of Five Foot Two, Eyes of Blue (Recorded 1925) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Five Foot Two, Eyes of Blue (Recorded 1925)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gene Austin's "Gene Austin Popular 1920's Jazz Vocals (Recorded 1925-1930)" album is number 4 out of 20. In terms of popularity, Five Foot Two, Eyes of Blue (Recorded 1925) is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Five Foot Two, Eyes of Blue (Recorded 1925) BPM

We consider the tempo marking of Five Foot Two, Eyes of Blue (Recorded 1925) by Gene Austin to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Five Foot Two, Eyes of Blue (Recorded 1925) Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
I Lost My Sugar in Salt Lake City by Stan Kenton, Anita O'Day, The Stan Kenton OrchestraI Lost My Sugar in Salt Lake CityStan Kenton, Anita O'Day, The Stan Kenton OrchestraC Major28B78 BPM
Angel by Johnny MarvinAngelJohnny MarvinF Minor84A111 BPM
Singing a vagabond song by Harry Richman, Earl BurtnettSinging a vagabond songHarry Richman, Earl BurtnettG Major39B120 BPM
She's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928] by Billy Jones, Ernest HareShe's the Sweetheart of Six Other Guys (Alternate Version) [Recorded April 1928]Billy Jones, Ernest HareE Minor29A120 BPM
No Wonder She's a Blushing Bride by Art FowlerNo Wonder She's a Blushing BrideArt FowlerG Major49B119 BPM
Crazy Rhythm by Roger Wolfe Kahn & His OrchestraCrazy RhythmRoger Wolfe Kahn & His OrchestraA♭ Major34B93 BPM
Never Swat A Fly by McKinney's Cotton PickersNever Swat A FlyMcKinney's Cotton PickersF Major47B110 BPM
Ain't She Sweet by Bunny BeriganAin't She SweetBunny BeriganC Major28B95 BPM
I Like Pie I Like Cake - But I Like You Best of All by Goofus FiveI Like Pie I Like Cake - But I Like You Best of AllGoofus FiveE♭ Major25B94 BPM
Sing, Sing, Sing (With a Swing) by Fletcher Henderson & His OrchestraSing, Sing, Sing (With a Swing)Fletcher Henderson & His OrchestraE Minor39A109 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.4801363945007324

End: 0.4843721389770508