Album for the Young, Op. 39: No. 9. Waltz (Valse) - Pyotr Ilyich Tchaikovsky, Luba Edlina Information

Acousticness: 89%
Danceability: 15%
Energy: 0%
Instrumentalness: 73%
Liveness: 9%
Loudness: 32%
Speechiness: 5%
Valence: 3%
Popularity: 9%
Loudness: -40.784 dB

Summary

"Album for the Young, Op. 39: No. 9. Waltz (Valse)" by Pyotr Ilyich Tchaikovsky, Luba Edlina was released on May 1, 1985. With Album for the Young, Op. 39: No. 9. Waltz (Valse) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Tchaikovsky: Album for the Young, Op. 39". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Album for the Young, Op. 39: No. 9. Waltz (Valse)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Album for the Young, Op. 39: No. 9. Waltz (Valse) BPM

With Album for the Young, Op. 39: No. 9. Waltz (Valse) by Pyotr Ilyich Tchaikovsky, Luba Edlina having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.

Album for the Young, Op. 39: No. 9. Waltz (Valse) Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Kuhlau: Sonatina in C Major, op. 20 no. 1, II. Andante	Friedrich Kuhlau, David Ernst Molnar	F Major	0	7B	83 BPM
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: II. Minuetto. Allegretto	Frédéric Chopin, Leif Ove Andsnes	E♭ Major	0	5B	148 BPM
Rakoczy March from Hungarian Rhapsody No. 15 in A Minor, S. 244 / 15 - Horowitz Version	Franz Liszt, Lang Lang	A Major	3	11B	83 BPM
Carnival of the Animals, R. 125: Tortoises	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma	B♭ Major	0	6B	138 BPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major	Clara Schumann, Jozef De Beenhouwer	B♭ Major	0	6B	100 BPM
Rage Over A Lost Penny, Op. 129	Valentina Lisitsa	G Major	2	9B	80 BPM
6 Impromptus, Op. 5: Impromptu No. 1 in G Minor	Jean Sibelius, Håvard Gimse	D Minor	0	7A	133 BPM
A Midsummer Night's Dream, Op. 61: Scherzo (Transcr. by Sergueï Rachmaninov)	Felix Mendelssohn, Bertrand Chamayou	C Minor	2	5A	129 BPM
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi minuetto	Johannes Brahms, Mischa Maisky, Pavel Gililov	G Major	0	9B	72 BPM

ISRC: GBLWD8505508
Label: L-M Records/RCA Records

Section: 0.5378093719482422

End: 0.5424463748931885