- BPM
- 60
- Key
- F♯ Major
- Camelot
- 2B
Candide: Overture (Live) - Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg Information
- Acousticness
- 87%
- Danceability
- 6%
- Energy
- 3%
- Instrumentalness
- 74%
- Liveness
- 10%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 0%
- Loudness
- -26.38 dB
Summary
"Candide: Overture (Live)" by Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg was released on March 2, 2018. With this song being around four minutes long, at 4:28, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 22 in Bernstein: On the Waterfront by Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Candide: Overture (Live) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Candide: Overture (Live) BPM
The tempo marking of Candide: Overture (Live) by Leonard Bernstein, Royal Liverpool Philharmonic Orchestra, Christian Lindberg is Lento (slowly), since this song has a tempo of 60 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Candide: Overture (Live) Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Grand Canyon Suite: 4. Sunset | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | D Major | 1 | 10B | 84 BPM | |
 | Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | |
 | Scheherazade, Op. 35: II. Lento - Andantino "The Legend of the Kalendar Prince" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 59 BPM | |
 | M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | |
 | Peter and the Wolf, Op. 67 (Without Narration): Moderato - Poco piu mosso (Allegro moderato) - Sostenuto - L'istesso tempo - Poco piu mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 122 BPM | |
 | Cavalleria rusticana: Preludio | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni | F Major | 2 | 7B | 88 BPM | |
 | Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | |
 | Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | |
 | The Swan of Tuonela, Op. 22, No. 3 | Jean Sibelius, Leonard Bernstein, New York Philharmonic | A Minor | 1 | 8A | 75 BPM | |
 | Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM |
- ISRC
- SEAEX1778010
- Label
- L-M Records/RCA Records
Section: 0.9698255062103271
End: 0.9737973213195801