"Concerto No. 5, "Dorian": I. Aria - After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170" by Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester was released on September 16, 2016. Concerto No. 5, "Dorian": I. Aria - After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170 is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There is only one song in ÜberBach, so we believe that "Concerto No. 5, "Dorian": I. Aria - After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170" is a single. In terms of popularity, Concerto No. 5, "Dorian": I. Aria - After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 5, "Dorian": I. Aria - After Aria, Cantata "Vergnügte Ruh, Beliebte Seelenlust", BWV 170 by Arash Safaian, Sebastian Knauer, Pascal Schumacher, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Jenő Jandó | B♭ Major | 0 | 6B | 78 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Wild Swans Suite: II. Eliza Aria (Arr. for Piano) | Lang Lang | F Major | 2 | 7B | 80 BPM | ||
White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
I Capuleti e i Montecchi: Oh quante volte (Arr. for Cello & Orchestra) | Vincenzo Bellini, Ophélie Gaillard, Morphing Chamber Orchestra, Frédéric Chaslin | G Minor | 2 | 6A | 92 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM |
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