Dinu Lipatti's 'Waltz No. 7 in C Sharp Minor Op. 64 : II.' came out on October 1, 2012. The duration of Waltz No. 7 in C Sharp Minor Op. 64 : II. is about 3 minutes long, at 3:06. Based on our data, "Waltz No. 7 in C Sharp Minor Op. 64 : II." appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 62 in Classical... the Best of Bach, Beethoven, Brahms, Chopin, Handel, Haydn, Mozart, Schubert, Tchaikovsky, Verdi Vol. 5 by Various Artists. Waltz No. 7 in C Sharp Minor Op. 64 : II. is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Waltz No. 7 in C Sharp Minor Op. 64 : II. by Dinu Lipatti is Larghetto (rather broadly), since this song has a tempo of 64 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etudes-Tableaux, Op. 33, No. 6 in E-Flat Major | Hélène Grimaud | E♭ Major | 2 | 5B | 134 BPM | ||
2 Konzertetüden, S. 145: No. 1, Waldesrauschen | Franz Liszt, Evgeny Kissin | D♭ Major | 1 | 3B | 108 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM | ||
Piano Sonata in G Minor: I. Allegro | Clara Schumann, Jozef De Beenhouwer | E♭ Major | 1 | 5B | 72 BPM | ||
Satie: 6 Gnossiennes: No. 2, Avec étonnement | Erik Satie, Anne Queffélec | D Minor | 0 | 7A | 73 BPM | ||
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 2 in E-Flat Major | Franz Schubert, Dinu Lipatti | A♭ Major | 1 | 4B | 90 BPM | ||
Piano Concerto in A Minor Op 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Dinu Lipatti, Philharmonia Orchestra, Herbert von Karajan | C Minor | 1 | 5A | 78 BPM | ||
Gnossiennes Nos. 4-6: Gnossienne No. 5 | Erik Satie, Håkon Austbø | E Minor | 0 | 9A | 129 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM |
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