石田組, Yasunao Ishida's 'リュートのための古風な舞曲とアリア 第3組曲 P. 172: I. イタリアーナ(レスピーギ)' came out on August 23, 2017. The duration of リュートのための古風な舞曲とアリア 第3組曲 P. 172: I. イタリアーナ(レスピーギ) is about 3 minutes long, at 3:10. Based on our data, "リュートのための古風な舞曲とアリア 第3組曲 P. 172: I. イタリアーナ(レスピーギ)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "The 石田組". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Japan. The popularity of リュートのための古風な舞曲とアリア 第3組曲 P. 172: I. イタリアーナ(レスピーギ) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With リュートのための古風な舞曲とアリア 第3組曲 P. 172: I. イタリアーナ(レスピーギ) by 石田組, Yasunao Ishida having a BPM of 167 with a half-time of 84 BPM and a double-time of 334 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trauer und Trost, Op. 3: No. 3, Ein Ton | Peter Cornelius, Ties Mellema, Hans Eijsackers | E Minor | 0 | 9A | 84 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH 55: II. Andantino semplice - Prestissimo | Pyotr Ilyich Tchaikovsky, Emil Gilels, Moscow Radio Symphony Orchestra, Nikolai Golovanov | A♭ Major | 1 | 4B | 113 BPM | ||
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM | ||
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | ||
Concert Phantasy on 'Le coq d'or': The Tsar's Dream | Nikolai Rimsky-Korsakov, Luka Faulisi | A♭ Major | 1 | 4B | 72 BPM | ||
Goldberg Variations, BWV 988, Arr. for Septet by Heribert Breuer: Variatio 14 | Johann Sebastian Bach, Goldberg-Septett | A Major | 2 | 11B | 179 BPM | ||
La fiancée, S. 17: Act III Entr'acte | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Minor | 0 | 8A | 120 BPM | ||
ヴァイオリン協奏曲 ホ短調 作品64(第2楽章 Andante) | Felix Mendelssohn, Fumiaki Miura | A Minor | 1 | 8A | 89 BPM | ||
I Was Born To Love You - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Freddie Mercury, 石田組 | C Major | 4 | 8B | 81 BPM | ||
Octubre Rosa | Cecilia Foj | F Minor | 2 | 4A | 79 BPM |
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