- BPM
- 88
- Key
- A Major
- Camelot
- 11B
Songs Without Words, Op. 38: No. 4, Andante, MWV U120 - Felix Mendelssohn, Marie-Catherine Girod Information
- Acousticness
- 100%
- Danceability
- 30%
- Energy
- 22%
- Instrumentalness
- 90%
- Liveness
- 10%
- Loudness
- 66%
- Speechiness
- 3%
- Valence
- 20%
- Popularity
- 0%
- Loudness
- -20.49 dB
Summary
Felix Mendelssohn, Marie-Catherine Girod's 'Songs Without Words, Op. 38: No. 4, Andante, MWV U120' came out on 2004. The duration of Songs Without Words, Op. 38: No. 4, Andante, MWV U120 is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Songs Without Words, Op. 38: No. 4, Andante, MWV U120's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Felix Mendelssohn, Marie-Catherine Girod's "Mendelssohn: Complete Works for Solo Piano, Vol. 1" album is number 16 out of 24. On top of that, France appears to be the country where this track was created. Songs Without Words, Op. 38: No. 4, Andante, MWV U120 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Songs Without Words, Op. 38: No. 4, Andante, MWV U120 BPM
We consider the tempo marking of Songs Without Words, Op. 38: No. 4, Andante, MWV U120 by Felix Mendelssohn, Marie-Catherine Girod to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
Songs Without Words, Op. 38: No. 4, Andante, MWV U120 Key
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | |
 | Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | |
 | 16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | |
 | 4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | |
 | Piano Concerto in F-Sharp Minor, Op. 20: I. Allegro | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 1 | 10B | 84 BPM | |
 | 24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | |
 | 12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) | Sergei Rachmaninoff, Sergei Babayan | A♭ Major | 0 | 4B | 78 BPM | |
 | Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM |
- ISRC
- FR3KD1504696
- Label
- L-M Records/RCA Records
Section: 0.6177017688751221
End: 0.6211421489715576